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Electric guitar opened up a range of possibilities because guitarists could concentrate on other things besides volume. No text or images including transcriptions may be copied, reused, or altered without written permission from the owner of this site. To maintain sonic authenticity, I played these licks on a Gibson ESD with heavy-gauge flatwound strings. Facebook Twitter Subscribe.

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Charly Christian And The Benny Goodman Sextet

Electro-Harmonix Grand Canyon Review. Electric guitar opened up a range of possibilities because guitarists could concentrate on other things besides volume. The next lick uses another passing note, which you can see Christian loved to use in his solos, as well as the F minor blues scale to create a V7-I7 line at the end of the blues. Download Your Free eBook. Leaving silence and space between lines is something Christian was a master at, as well as other great players, as it allows the lines to have frames of silence to punctuate them in the solo. Enclosures have been used by just about every great jazz soloist over the past 80 or so years, and so it is an important concept to have under your fingers.

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Enclosures have been used by just about every great jazz soloist over the past 80 or so years, and so it is an important concept to have under your fingers. Electric guitar opened up a range of possibilities because guitarists could concentrate on other things besides volume. When soloing with arpeggios, inserting one or two scale tones, such as the 9th in this line, can go a long way to making your lines sound musical and not like an exercise. Horn-driven big bands were the popular medium of the time and predominately used acoustic guitarists to provide a strictly accompanimental, rhythm guitar role—that is, until Charlie Christian appeared on the scene.

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Description: In this period there was a much closer relationship between jazz and blues. After logging in you can close it and return to this page. A Guide for Guitarists. The Year in Gear His work with the Benny Goodman Sextet set the standard for early combos with electric guitars. the electric guitarists who followed in the s were under the spell of Charlie Christian and sought to emulate his sound and style. The first 4 notes form a C m7b5 chord shape, a common substitute for the A7 chord. Blues on the Move - Transitional Blues Licks.
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