Naked man back view
Carol from Fairfield Age: 35. I wish to meet interesting man for regular meetings.
That rectangle of paint on the wall is not an homage but a riposte to abstraction. The fact that Bowery is posing—and the fact that he was a well-known performance artist—might lead us to think about personality as performance, a constant playing of social roles, but any such Existential speculations based upon this painting are destined to collide with a solid wall of flesh. Thank you for subscribing. This is painting after Pollock, cognizant of his achievement but hardly reverent. When presented with an image this original, the first reaction of art historians is to seek a precedent in the past.
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Naked Man Back View
But this pathos, this sense of Bowery crouching under a shell, is contradicted by the massive, powerful leg that protrudes at a strong diagonal and is emphasized by a wide swath of light flesh tone painted from hip to knee. Probably because it was in his way. The application is forbidding, almost brutal, as if Freud is daring us to see this paint as flesh, this flesh as paint. The Metropolitan Museum of Art. Earlier examples are smaller in scale and crafted in a distinctive, meticulous style with extreme precision. Thank you for subscribing.
Louise from Fairfield Age: 29. Relaxed and passionate lady is ready to reveal to a generous man all the possibilities of his ideal body.
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Unplanned freud tribute at the met
Paintings Credit Line. That rectangle of paint on the wall is not an homage but a riposte to abstraction. The application is forbidding, almost brutal, as if Freud is daring us to see this paint as flesh, this flesh as paint. In the end, however, Bowery signifies nothing but himself, a fat man in a studio. Later, the New York abstractionists, with a near-fanatical doctrine of truth to materials, dripped, threw, poured, sprayed and stained their paintings on canvas. Looking at the painting, one remembers what the Lilliputians called Gulliver.
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