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Like the actors, the musicians had to tackle multiple roles throughout the opera. At times the music flashed and dazzled like the ever-present paparazzi cameras. at others the descending wind passages dripped from the instruments like champagne from the glasses the Duchess was constantly smashing against the walls. Bass Matt Boehler sang the Hotel Manager, who also becomes the Duke and a rubbernecker and the stiff-and- shocked judge, injecting a sense of gravitas. Scheib's production features simple furniture by Marsha Ginsburg on an airy set, with trees interspersed during the latter scenes. Soprano Nili Riemer was the Maid, who transformed into a rubbernecker at the trial and a journalist. Karina Canellakis on her journey to the podium. Jonathan Stockhammer , Conductor.

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But the scene moved on. The orchestra, conducted by Jonathan Stockhammer, navigated the score with spirited versatility. In her role as the Duchess, the talented Allison Cook propelled through a slew of musical and physical gymnastics while maintaining an unmatched expressiveness. At times the music flashed and dazzled like the ever-present paparazzi cameras. at others the descending wind passages dripped from the instruments like champagne from the glasses the Duchess was constantly smashing against the walls. Giovanni, who might be diagnosed with narcissism or sex addiction by a modern psychologist, is ultimately incinerated by the fires of damnation, but not because he slept with every woman he laid eyes upon, systematically destroying their lives with his vague, commitophobic promises of marriage — always left unfulfilled when he scurried from their bedrooms as soon as any hint of boredom set in. Scampering about in expensive-looking dresses and lingerie, mezzo-soprano Allison Cook had a bit of a Wallis Simpson look and created an uninhibited portrait of the Duchess, her voice soaring, choking and snickering. Karina Canellakis on her journey to the podium.

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The orchestra, conducted by Jonathan Stockhammer, navigated the score with spirited versatility. Jay Scheib , Director. Her husband, also engaged in an extramarital affair, is pardoned for making a mistake anybody could make, i. Not enough for director Jay Scheib, who turns the tawdry tale into a numbing night of decadence by adding two dozen naked men standing, stumbling and slumbering around a hotel room in New York City Opera's new production that opened Friday at the Brooklyn Academy of Music's Howard Gilman Opera House. Like the actors, the musicians had to tackle multiple roles throughout the opera. Soprano Nili Riemer was the Maid, who transformed into a rubbernecker at the trial and a journalist.

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Description: Giovanni, who might be diagnosed with narcissism or sex addiction by a modern psychologist, is ultimately incinerated by the fires of damnation, but not because he slept with every woman he laid eyes upon, systematically destroying their lives with his vague, commitophobic promises of marriage — always left unfulfilled when he scurried from their bedrooms as soon as any hint of boredom set in. In her role as the Duchess, the talented Allison Cook propelled through a slew of musical and physical gymnastics while maintaining an unmatched expressiveness. Bass Matt Boehler sang the Hotel Manager, who also becomes the Duke and a rubbernecker and the stiff-and- shocked judge, injecting a sense of gravitas. Decades later she was evicted from her luxury hotel, disgraced and unable to pay her numerous bills. By Rebecca Lentjes , 18 February Scampering about in expensive-looking dresses and lingerie, mezzo-soprano Allison Cook had a bit of a Wallis Simpson look and created an uninhibited portrait of the Duchess, her voice soaring, choking and snickering.
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